哭嫁

Multiple attributes and consistency of the style of Tujia wedding laments are discussed.

归纳出哭嫁歌风格的多属性和一贯性。

The folk custom of´Kujia´ which has been very popular in modern society has the same character.

哭嫁这种在现代社会还广为流传的民间风俗同样也印证了这一点。

The modern transmutation of bride crying displays in the form of becoming more and more stylizing, recreational and the function of ethnic identity.

哭嫁意蕴的现代嬗变主要表现在程序化趋向、娱乐性滋长及族群认同功能。

There are much content about women´s life story in the wedding Lament. The rite of crying in wedding is a vital course in women´s life history.

哭嫁歌中有许多反映女性生命史的内容，又在一定程度上影响着女性的生命史。

Combined with a large number of text information and personal investigations in the field, the author will discuss the origin of the´Wedding Lament´ of Gelaozu from three tendencies.

结合大量的文本资料以及亲身的田野调查，笔者对仡佬族哭嫁习俗的源流进行三种倾向的探讨：古代掠夺婚是仡佬族哭嫁习俗产生的第一种可能；