顾恺之

Gu Kaizhi´s theory of painting is quite rich in aesthetic thinking, and with a very useful reference value today.

顾恺之画论包含的美学思想颇为丰富，迄今仍然很有借鉴价值。

However, his theory of “spirit out of form” in his aesthetics has left a great impact upon and a big controversy among future generations.

但顾恺之传神美学中“以形写神”的理论，留给后人的影响与争议同样巨大。

The theory of “Soul Communication” , raised by Gu Kaizhi in Dongjin Dynasty, was the earliest and a mostly comprehensive theory in painting.

“传神论”由东晋·顾恺之提出，是我国最早较完备的绘画理论。

Gu Kaizhi, known as the founder of traditional Chinese painting, and his scroll paintings, represented the painting style of the period.

在绘画上，被尊为画祖的顾恺之和他的卷轴画最具有代表性。

Which focused on the Gu Kaizhi´s “vivid” and “Fanny would have to move” on the “Lo River Map” in the concrete embodiment.

其中重点谈到顾恺之的“传神论”和“迁想妙得”论在《洛神赋图》中的具体体现。